Manhattan Love Song

Nothing beats a tale of fatalistic dread by the supreme master of suspense, Cornell Woolrich. His novels and hundreds of short stories define the essence of noir nihilism.-Marilyn Stasio, The New York Times Book Review The father of modern noir first wanted to be the second F. Scott Fitzgerald. This 1932 novel brilliantly showcases Cornell Woolrich's transition from modernist to pulp master, as the reader follows a young Manhattan couples' tragic fall from grace. Cornell Woolrich reinvented suspense fiction for the twentieth century. For four decades hundreds of his stories appeared in popular American pulp magazines while motion picture directors as varied as Hitchcock and Truffaut memorably translated his work into such classic suspense films as Rear Window and The Bride Wore Black, He died, alone in a Manhattan hotel room, in 1968.