Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America
Race and American Culture series
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In this provocative and original exploration of racial subjugation during slavery and its aftermath, Saidiya Hartman illumines the forms of terror and resistance that shaped black identity. Scenes of Subjectionexamines the forms of domination that usually go undetected; in particular, the encroachments of power that take place through notions of humanity, enjoyment, protection, rights, and consent. By looking at slave narratives, plantation diaries, popular theater, slave performance, freedmen's primers, and legal cases, Hartman investigates a wide variety of "scenes" ranging from the auction block and minstrel show to the staging of the self-possessed and rights-bearing individual of freedom. While attentive to the performance of power—the terrible spectacles of slaveholders' dominion and the innocent amusements designed to abase and pacify the enslaved—and the entanglements of pleasure and terror in these displays of mastery, Hartman also examines the possibilities for resistance, redress and transformation embodied in black performance and everyday practice. This important study contends that despite the legal abolition of slavery, emergent notions of individual will and responsibility revealed the tragic continuities between slavery and freedom. Bold and persuasively argued, Scenes of Subjectionwill engage readers in a broad range of historical, literary, and cultural studies.
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The Price for Their Pound of Flesh: The Value of the Enslaved, from Womb to Grave, in the Building of a Nation
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Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II
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Dreams of Africa in Alabama: The Slave Ship Clotilda and the Story of the Last Africans Brought to America
