Terror and Wonder: The Gothic Imagination

Gothic literature began as a challenge to the rational certainties of the Enlightenment. By exploring the harsh romance of the medieval past with its ruined castles and abbeys, its wild landscapes and fascination with the supernatural, Gothic writers placed imagination firmly at the heart of their work.

The Gothic has continued to haunt literature, fine art, music, film and fashion ever since its heyday in Britain in the 1790s. This book, which accompanies a major exhibition at the British Library, traces the numerous meanings and manifestations of the Gothic across time, tracking its shifts and mutations from its eighteenth-century origins, through the Victorian period, and into the present day.

Through 150 objects - including manuscripts, paintings, film clips and posters - Terror and Wonder explores all aspects of the Gothic world. Iconic works, including Mary Shelley's Frankenstein, Bram Stoker's Dracula, the sinister fairy tales of Angela Carter and the modern horrors of Clive Barker, highlight the ways in which contemporary fears have been addressed by successive generations of Gothic writers. Other rare and fascinating exhibits, including hitherto overlooked manuscripts and even a real-life vampire-slaying kit, add colour and drama to the story.

Edited and introduced by Dale Townshend, and with original essays by major scholars of the Gothic, Terror and Wonder provides a compelling and comprehensive overview of the Gothic imagination over the past 250 years.

Contents

Dale Townshend, Introduction

Nick Groom, Gothic Antiquity: From the Sack of Rome to The castle of Otranto

Angela Wright, Gothic, 1764-1820

Alexandra Warwick, Gothic, 1820-1880

Andrew Smith, Gothic and the Victorian fin de siecle, 1880-1900

Lucie Armitt, Twentieth-Century Gothic

Catherine Spooner, Twenty-First Century Gothic

Martin Parr, Photographing Goths: Martin Parr at the Whitby Goth Weekend